Oscar may have lost some of its golden shine — at least judging by the ratings declines of recent years. But the 13½-inch statuette remains the biggest validation Hollywood has to offer, topping box office records, massive minutes-watched numbers logged by streamers and even a table in the front dining room of the hip new restaurant. horses.
Asked by The Hollywood Reporter In 2015, what words he’d like to hear spoken from the Oscars stage, Netflix co-CEO Ted Sarandos replied, “That they want to thank Netflix.” In the years since, he’s heard those words more than once: The dominant streamer has garnered 116 Oscar nominations and won 16 awards.
But the ultimate prize, the Best Picture Oscar, eluded him. Could that change this season? The Magic 8 Ball says, “Don’t count on it. In fact, given how the competition has evolved, Netflix — and other streamers like Amazon Prime Video and Apple TV+ — might struggle to earn a Best Picture nomination, let alone a win.
If that turns out to be the case when the nominations are announced on January 24th, it’s likely to result in a much different scenario than has been highlighted over the past few years, with streamers biting constantly hot on the heels of major studios and the handful of independent distributors still committed to theatrical release – even threatening to completely outrank established players.
Amazon became the first streamer to enter the Golden Circle by earning a Best Picture nomination for Manchester by the sea in 2017. Netflix has had at least one Best Picture nominee, and usually two, since 2019, when it entered the list with Rome. And earlier this year, Apple TV+ became the first streamer to win the top prize when it triumphed with CODAthus beating the two nominees from Netflix, The power of the dog and Don’t look up.
But currently, even though there will be a guaranteed top 10 picture slots to fill, the pendulum seems to be swinging in the opposite direction. Theaters are bouncing back from their COVID slump, and while audiences haven’t fully returned yet, big wholesalers like Paramount Top Gun: MaverickWarner Bros.’ Elvis and the independent breakout of A24 Everything everywhere all at once established themselves as popular hits that won enough critical acclaim to claim a claim. Disney/Marvel’s Black Panther: Wakanda Forever and 20th century Avatar: The Way of the Water could make their way. Solid dramas like Universal The Fabelmans and She says appear to be in the Academy’s wheelhouse. And there’s also a bunch of indies that have generated a lot of critical buzz, like Searchlight’s The Banshees of InisherinTargeted features’ Warehouse and RSUs women who talk.
In contrast, streamer hopes have yet to generate the same momentum. by Netflix bardo, Blond and White noise all met varying degrees of critical resistance on the festival circuit. Netflix is set to launch Rian Johnson’s Glass onion: a mystery at loggerheads with a week-long theatrical run before its December 23 debut on the service – signaling its Oscar wishes premiering at the Academy Museum – but the 2019 original Knives out only earned one name (for Johnson’s original screenplay), so the new film will have to prove that it’s more than just popular entertainment. The streamer also plans a better frame push for Guillermo del Toro’s stop-motion animation. Pinocchio. But while del Toro is an Academy darling – an Oscar winner as a director and producer of The shape of water — only three animated films (The beauty and the Beast, At the top and Toy Story 3) landed a Best Picture nomination, so the author will have to work all his magic to secure a spot for his film.
Meanwhile, Apple has decided not to give a surefire competitor, Martin Scorsese The Moonflower Slayerswhich Paramount is set to distribute theatrically, a 2022 spot in favor of sticking with a 2023 release. In hopes of replicating the success of CODAhe picked up Cha Cha real smooth out of Sundance and Pavement ahead of that film’s debut at the Toronto Film Festival, but both are small-scale films that might struggle to make a splash. So all eyes will be on Antoine Fuqua’s slave action thriller Emancipationwhich begins airing on December 9. But since the film stars Will Smith, it faces the big question of whether Academy voters – some of whom are still poking fun at The Slap at the March ceremony – can ignore that controversy. to judge the film for itself. merits.
As for Amazon, it had some hopes my policemanbut the love triangle built around Harry Styles didn’t make much of a splash when it started airing on November 4. Now Amazon is looking to remind voters of the Ron Howard story. Thirteen Livescentered around 2018’s Thai cave rescue, which began airing in August rather than waiting to play major festivals.
To be sure, don’t fully count streamers yet. They are still set to make their mark in other categories – and could be major players in documentary and international feature competitions. But for the Academy traditionalists who have been unhappy with streamers’ foray into better picture territory and are looking for revenge, this season may provide them with the perfect opportunity to put streamers in their place by putting them in their place. excluding from the best image consideration.
This story first appeared in the Nov. 21 issue of The Hollywood Reporter magazine. Click here to subscribe.
We want to thank the author of this write-up for this awesome material
Do streamers eat at the Oscars? – CBS