See how Grammy Award-winning music experts explore the sound of the Galaxy Buds2 Pro

An acclaimed producer, audio engineer and mastering engineer using the Galaxy Buds2 Pro discovered new ways of thinking about music that give meaning to life.

When we describe music, we usually talk in practical terms: volume, melody, tempo, and rhythm. Although these elements sound more or less the same to everyone, the way music makes us feel is totally subjective. Perhaps, the language is even more difficult to qualify than what it feels like to make music.

To discover new perspectives on the essential qualities of music creation, Samsung partnered with Chris Gehringer, a Grammy Award-winning mastering engineer; Tony Maserati, Grammy Award-winning audio engineer and producer, and Jay Versace, popular comedian turned Grammy Award-winning music producer, to create a series of documentary-style videos that explore the sensation of sound and the difference it can make to the sound. listener a Hi-Fi quality listening experience.

While each expert’s approach to the different stages of music creation is as different as the artists they work with, the videos showcase the Galaxy Buds2 Pro’s ability to amplify what each considers a critical component when it comes to feel. of a first-class sound: Dimension, Impact and Texture.

Chris Gehringer: Dimension

“While many people only like music for the message, I see music dimensionally”says Chris Gehringer, senior mastering engineer at Sterling Sound. “Actually, I don’t turn the controls to make it brighter or dimmer, just to give it a feel.”

During his 38 years in New York, Gehringer worked with the biggest names in pop music, he was praised countless times. A feat he can still boast of, albeit from a slightly different perspective in New Jersey, where he currently resides.

“When I was young and listened to vinyl, I always had the feeling that the best-sounding records were the ones with the most dimension”Gehringer says. “As technology changed, the perspective of the listener changed. What I do has never really changed, and that is to offer the best sound, the biggest, the most emotional”.

Perspective—also understood as dimension—is a crucial element that Gehringer has tried to instill in everything he touches since he began working in stereo. “Dimension is nothing more than manipulating space so that you fall into it”he explained.

“I want you to feel like you’re in the room with the musicians. It’s the only thing that changes your perspective, the way you feel about the music.”

From his roots in the ’80s hip-hop scene—where he had his first hit record at age 22—to today, Gehringer has always been serious about sound, even if the technology hasn’t lived up to his ambition. . It’s an attitude he encourages others to adopt as hi-fi evolves to democratize the accessibility of a studio-quality listening experience through features like immersive and spatial Audio 360.

“Galaxy Buds2 Pro offer people the possibility to listen to something at a higher level and with more feeling”, Gehringer continued. “Now everyone has the chance to experience what I experience in the studio.”

Jay Versace: Texture

Natural sounds take center stage in an entirely different way in the work of Jay Versace. Less traditional in approach, but no less influential, this social media comedy star turned Grammy Award-winning self-taught producer draws on an extensive collection of recordings of his personal life and the natural world to inform his rhythms an all-important textural element.

“I let the texture guide everything I do”, says Versace. “I’ve tried to be delicate with sound – how I consume it, what equipment I use – so that I can make other people feel that way. I want to give that feeling to other people.”he continued, noting that a recent personal revelation about the healing properties of music has led him to a greater appreciation of audio equipment that results in the highest quality playback.

“Galaxy Buds2 Pro’s 24-bit audio playback means you can truly hear music the way it was meant to be heard. You’re going to hear a lot more texture because it’s the best possible way to deliver the music, uncompressed.”

Although Versace’s obsession with feeling the texture of sound was undoubtedly born from an upbringing in which he was surrounded by “a lot of classical music”—samples of which now seep into his rhythms—it is his deep love for the world. natural what is perceived most strongly in your work, whether it is perceived immediately or not.

“That is why I have embarked on this journey in search of different teams. It is very important to have that extra layer. You probably can’t even hear it in the song, but I capture the audio so it’s in the background because 30 years from now, when the technology is extremely advanced, it’s going to be really important to the sound.”

With the Galaxy Buds2 Pro, however, you don’t have to wait that long.

Tony Maserati: Impact

For acclaimed producer and sound engineer Tony Maserati, time spent listening to music outside of the studio is an integral part of his process as he pursues the feeling he most desires in the music he makes: impact.

“I need to hear what the average listener is going to hear because I make music for people who listen to music on their laptop, on their phone, on headphones,” explains Maserati. “It is essential.”

During the two decades that he worked in downtown New York, where he was instrumental in shaping the sound of the city’s hip-hop scene, Maserati frequented the cafes and parks of the East Village to listen to the music he had worked on in the studio the night before. listen to his work on site it was crucial to know if it was making the desired impact above the noise of New Yorkers making a space for themselves in the city.

“Impact is something I have to create”says Maserati. “And I want to make sure that’s represented in that playback system. I want to accentuate what the artist intended so that the public can’t let go of it.”

For Maserati, fidelity to the interpretation is key to generating the impact that he wishes to cause with his work. “With Galaxy Buds2 Pro’s two-way speaker, you really hear the bass and treble separately”says Maserati, noting that accurate bass representation is one of the most difficult elements to recreate outside of a studio context.

“You have a wide frequency response, so it sounds more like a studio speaker. Most headphones sound as if the music is coming directly into your ear. These have more movement. Galaxy Buds2 Pro better separate bass, midrange and treble. They sound perfectly natural.”

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See how Grammy Award-winning music experts explore the sound of the Galaxy Buds2 Pro