– The Almond Trees by Valeria Bruni-Tedeschi and Tchaikovsky’s wife by Kirill Serebrennikov dominate a very attractive line-up including among others aftersun
The Almond Trees by Valeria Bruni-Tedeschi
In five years of activity, the French company Charades has established itself as a key player, qualitative and very agile, in the ultra-competitive panorama of international sellers, and the Film Market (from May 17 to 25) of the 75th Cannes film festival will make a new demonstration of it since the team of Yohann Comte, Carole Baraton, Pierre Mazars and Constantin Briest will notably surf a wave of four films selected on the Croisette.
Among them shine two candidates for the Palme d’Or 2022. With The Almond Trees [+lire aussi :
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interview : Valeria Bruni Tedeschi
fiche film]the Franco-Italian Valeria Bruni Tedeschi returns to the Cannes competition for the second time after A castle in Italy [+lire aussi :
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interview : Valeria Bruni Tedeschi
fiche film] in 2013. The scenario takes us to the end of the 80s. Stella, Etienne, Adèle and the whole troupe are 20 years old. They pass the entrance examination for the famous school created by Patrice Chéreau and Pierre Romans at the Amandiers theater in Nanterre. Launched at full speed into life, passion, games, love, together they will live the turning point of their lives but also their first great tragedies… Note that for the first time, the director is not in the cast from one of his films. Among the interpreters, the young people in particular stand out Nadia Tereszkiewicz and Sofiane Bennacersupported by Louis Garrel. The production was led by Ad Vitam Production and Agat Movies with in co-production Arte France Cinema and the Italians of BiBi Film.
The other star of the Charades line-up is Tchaikovsky’s Wife [+lire aussi :
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fiche film] from Russian Kirill Serebrennikov which will make its 3rd foray into competition at Cannes after 2018 (Leto [+lire aussi :
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interview : Ilya Stewart
fiche film]) and 2021 (Petrov fever [+lire aussi :
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Charades will also negotiate for the Franco-Luxembourgish animation co-production The little Nicolas – What are we waiting for to be happy? [+lire aussi :
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interview : Amandine Fredon et Benjami…
fiche film] of the duo Amandine Fredon – Benjamin Massoubre which will be unveiled in a special session of the Official Selection (before joining the competition in Annecy in June), but also on the highly anticipated aftersun Scottish (based in New York) Charlotte Wells in competition at Critics’ Week headlined by rising Irish talent Paul Mescal (series Normal People) and the young francesca Corio in a production having been ensured by the Americans of Pastel (the company co-founded by Barry Jenkins) and the Scots of Unified Theory Productions.
Four new additions to the line-up with British comedy in post-production Fearless from Icelandic Hafsteinn Gunnar Sigurdssonthe black comedy thriller Hit Big finnish J.-P. Valkeapää and the first Italian-French feature Amanda [+lire aussi :
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fiche film] of Carolina Cavalliand in production the animated film Spermageddon from Norwegian Tommy Wirkola. Titles which are added to a rich post-production department already including Karaoke of the Israeli Moshe Rosenthal (which will make its world premiere in competition at Tribeca), the American film Sanctuary of Zachary Wigon and The origin of evil [+lire aussi :
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fiche film] French Sebastien Marnier.
Finally, among the many market screenings orchestrated by Charades, there are premieres for animated feature films Unicorn Wars [+lire aussi :
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Two contenders for the Cannes Palme d’Or for Charades